A Sentimental Journey: Hungary

 

Adriana Carcu

 

You can feel his presence beyond the trees that are passing hurriedly, beyond the high bushes: rye field, sand dune, smoke cloud.  Material, subtle, elusive.

The dusk is heavy with raindrops.  Georgine, a friend I haven’t seen for 15 years, is driving up a smooth coast to a village called Dörgicse.  The houses are stony island in a sea of green.  There, beyond the white church, wrought with a fine thread of red brick arise the solitary walls of another church, long lost in forgetfulness.  The deep windows, one like a cross facing east, the west one aslant, are traversed by the declining sunbeams once a year; at Easter time.  In the churchyard, at the forest’s brow, beyond the graves, a cluster of totemic pillars raised for those who never made it home.

The now iridescent sunset envelops the tree leaves in a crystal hue.  We take road into the forest that whispers tears encased in green chalices.  Fitzko, a solid dog of an undetermined breed, is leading us exuberantly into the depths and then leaves us waiting in an abeyance full of words.

Later, as the evening falls, from the window of my room I catch a glimpse of a silvery shimmer, somewhere in the distance.

The next morning we drive to the waterfront.  We stop at the main pier.  Lake Balaton, pulsing peacefully, seems incrusted in the pastel landscape; a restful gem of milky paleness.  Around the pier the waves kiss silently the reddish stone. Opalescent surfaces crease and unfold in heavy furrows that break with a murmur into the thick rush-bed.  Fishing stools high up on scaffolds tied by narrow pontoons form a lacustrine web accessible only to the local fishers.

We drive into the land.  The long road through the fields takes us to the Graveyard of the Enamored Quarryman where all the gravestones painstakingly carved by his hand two centuries ago have the form of his heart that turned into stone at his lady’s death. 

White cranes are flying above us. 

We climb a hill to Hegyestü, a platform that accommodates a colony of massive stone fragments, millions of years of age, compact as a herd of motley bisons. Right above it, a basalt cathedral rises solemnly.  The walls ridged by the sun, by rain and winds lend the embraced agora the holiness of a nave.  On the wide stairs, held by wide planks, we set off to the top.  From above we see the lake again, a gilded band glimmering beyond the forest, among the minuscule houses, and at the end of the roads that all lead to him.

Another day, wrapped in memories, we leave the village on a strong but somehow caressing wind cutting through the fields in gales of poppies and waves of chamomile; with purple patches, with hares jumping crossly.

We come to the ruin of another church.  Underneath lie buried the members of a long extinct Hungarian clan.  The stone altar under the open sky sets us in contemplation; in the song of the wind we pray.

From afar, like the forest above, like the fields beneath matching green with green, we are surrounded by the opaline presence of the lake.

The third day in the picturesque borough of Tihany, with the houses covered in reed on the stony streets leading to the Benedictine abbey rebuilt in baroque style, we sit on the shore in the afternoon breeze sharing secrets.  Balaton is greener today, livelier.  A boat is taking tourist to and fro; jollies with flaring sails are floating in the distance; children run along the shore.  A diamantine scarf unfolds over the lake, the surface trembles gently.  My journey is coming to an end.

 Georg Michael Primus, a warm hearted villager, drives me to the airport among the fields of jade reciting at length from the national poet Petöfi Sandor, about the rivers Tisa, and the Mures.  

Looking out the car window I bid my farewell to the stellar waters.

 

Heidelberg, 22 Mai 2007