MILAN
Introduced an aviator theme this month with
gender-blurring tweed coats, a bottle green flying jacket and knee-length pants
over long boots that seemed straight off a black and white movie set.
But the look was not so much dashing aviator masculinity, as a sultry, sexy
heroine, with models' glossy hair worn long and wavy, their pale complexions
marked by dramatic deep red lips.
Her inspiration, the Italian designer said in the show's style note, had been
Lee Miller, the "trailblazing" model and photographer including for
Vogue during World War II.
"She was a pioneer -- talented, passionate and fashionable, just like
strong women of today."
For day time, Giannini offered mini dresses in filmy fabrics, skinny pants that
wrinkled at the ankles, jackets and coats, and often a high waistline for a
lean silhouette.
Dramatic eveningwear was a choice of sweeping 1940s black gowns punctuated by
stunning details, such as a copper-colored belt, sweetheart neckline or
glittering shoulder embellishment.
Colors ranged from dark
and dusky, in rose pink, plum and violet, to bright flashes of shocking pink
and marine blue.
Models stepped out in
ankle-strap wedgies, in patent or satin, to echo the clothes, carrying slouchy
bags or a rounded tote. Other accessories included long mittens or two-tone
gloves and marmot hats fastened under the chin.
The whole look was wrapped up in casual style with cotton canvas belts.
When the decor opened up concertina-like on Antonio Marras' catwalk to reveal
the black and white facade of an Italian villa, it set the scene for his
delicate, but not fragile, approach to dressing.
Well that a wrap....
Catch ya next time
CJ Henderson www.azanifashion.com